“The Pictures Generation” at The Metropolitan Museum of Art (Part One the Opening)

Coming into the opening for “The “Pictures Generation” at the Metropolitan Museum of Art soon afterwards in walked a  man in shorts holding a paper bag .  Then when a special NYC police patrolman asked to look inside of the package it had a cannister for carrying gasoline (the kind you use in situations such as to bring petrol back to  the automobile from the gas station after you have run out of gas nearby-I know as if that ever happens).

The container which is for toting about a gallon seemingly had no liquid inside but still it is highly inappropriate to bring in an item which can be used for pouring gas into an art institution( and possibly putting people and or artworks at risk).  This man then tried to talk himself in saying somebody who worked at the museum needed it and asked him to bring it.  Finally, the gentleman agreed to go outside and discard the item and later was in  partying.  At the reception which was held in the great hall of the museum (while the art was on the second floor in the photography department’s galleries) they were playing David Bowie’s “Fame” … and I thought maybe they should be playing the great  chameleon’s “Putting out the Fire with Gasoline”.

The occasion for the opening was for “The Pictures Generation” an exhibition which takes its title from  a play on words {like David Reed’s “Moving Pictures”}  though in different context}  The content therein of the double meaning therein was a group of artists ostensibly starting with John Baldessari and a group of students which he tought at Cal Arts in the late nineteen seventies and others who like the aforementioned moved to Nyc form places like Buffalo  and produced pictures influenced by all kinds of media which produced other pictures first and foremost being the television.

This large exhibition curated by Douglas Eklund focused in on a loose knit group he thus termed the “Pictures Generation” which gathered stregnth and  produced hype and steam Downtown (in Manhattan the capitol of the Big Apple).

My co-worker ( from atop the red double decker bus ) Michael Zwack was a seminal figure in this group and was duly included here.

This set the stage for this evening (April 20th) opening where I was joined by architect Johannes Knoops mc’s Rick McGregor ( a great producer of among others things excellent youtube videos)  and briefly Tom Orso. The opening was a scene   David Salle, Mary Boone, Charles Cowles, Ron Warren, Benard Tschumi, Eric Mitchell, Michael McClard, Jerry Salz and Roberta Smith (seperately), Ned Sublette, Peter Schjeldal, Eric Bogosian, and Robert Longo were just a few of the names who abounded in the surround.

Then it was off to the after party with Michael and his wife at the Meatmarket spot 9C  with its great  wooden floors and hor s’oerves mostly of egg salad with salmon on top on crostini making the rounds.  The champagne flowed and both pictures generation artist  Robert Longo and curator Eklund were in attendance.  Next it was off to the home of artist Charles Clough a Buffalo compatriot of Zwack’s for some more champagne and then home on the A train.

A couple of days later it was off to the Omega  center in Rhinebeck, new york  for a oneness blessing weekend with Uttamaji/ Matthew and much of the Portchester healing circle led by Gabriella attended and then down to Fort Lauderdale to fly to the Bahamas so there was not  much time for seeing the exhibit again between working and making it down to the sunshine state to make it over the Atlantic to land in Nassau -but when I get back the show will be reviewed here.  So  stay tuned, then search it,  click it , and get down.

(Rick McGregor’s video of the event on Circtv)

http://circtv-nyc.blogspot.com/2009/07/michael-zwack-and-friends-party-at-met.html

Advertisements

Tags: , , , , , , , , , , , , , , , , , , ,

2 Responses to ““The Pictures Generation” at The Metropolitan Museum of Art (Part One the Opening)”

  1. zwack Says:

    wheres part #2?

    • llmk1 Says:

      it will appear after the Bahamas-Florida summary is complete flow into cooper square and dissapear with the homeward bound artworld roustabouts

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s


%d bloggers like this: